THE
NEW YORKER
JULY 15, 2002
TENESH
WEBBER
In the age of digital techniques, Tenesh Webber's huge silver-gelatin
prints of tiny found objects Such as cotton balls or a wire flying in an inky
black void--feel refreshingly pure and daring. In "Untitled (Dots)", spangles
of smeared white spots loop around the frame, and in "Swing I", they all but
dance, scattershot and exuberant. It's a testament to Webber's skills as a
stylist that such pictures, whose minimalism and lack of pretense could easily
emit nothing but studied somberness, instead feel playful, kinetic, and richly
suggestive. Through July 26. (Milo, 552 W. 24th St. 414 0370.)