Statement
Webber's black-and-white photograms, direct gelatin silver prints from studio assemblages, intersperse light, shadow, movement and stasis––bridging flat and full.
Her sculptures of thread and paper forms are composed on top of photosensitive paper, in a black and white darkroom, fusing Minimalism, Non-Objective Art and photography. Resulting photograms contrast punctuated, linear patterns and intervening space on a neutral background. Extensive experimentation during the darkroom process builds situations that will create intended but unexpected results; thus, working minimally and abstractly guides Webber's path to improvisation.
Webber's black-and-white photograms, direct gelatin silver prints from studio assemblages, intersperse light, shadow, movement and stasis––bridging flat and full.
Her sculptures of thread and paper forms are composed on top of photosensitive paper, in a black and white darkroom, fusing Minimalism, Non-Objective Art and photography. Resulting photograms contrast punctuated, linear patterns and intervening space on a neutral background. Extensive experimentation during the darkroom process builds situations that will create intended but unexpected results; thus, working minimally and abstractly guides Webber's path to improvisation.
Elizabeth Johnson, 2025
